The Italian tenor will give a free concert at Mexico City's iconic Zócalo on April 18, alongside Los Ángeles Azules and ...

Performances in N.Y.C. Advertisement Supported by Watch and listen to recent highlights, including a Shostakovich festival in Germany, the Cleveland Orchestra’s Strauss and Nina Stemme’s Isolde. By ...

Chicago’s inaugural poet laureate makes his Lyric mainstage debut with, “safronia,” loosely based on his family’s own Great ...

“The Classical Style: An Opera (of Sorts)” subverts expectations of the genre by making fun of classical composers typically featured in these concerts. The show, written by librettist Jeremy Denk ...

According to comments reported by The Times and remarks from the Royal Ballet and Opera leadership, Timothée Chalamet has unintentionally helped bring more attention to classical arts after a wave of ...

Opera Carolina will launch the Classical Artists Fund at Bella Notte: A New Year’s Eve Masquerade Gala at The Ballantyne Hotel. Inspired by The Magic Flute, the event will mark the fund’s public debut ...

The period instrument sound was most arresting in the overture, with the opening chords all attack and buzz. Reedy bassoons and shallow timpani predominated, these the edgy sounds that modern strings ...

“Tomorrow, and tomorrow, and tomorrow.” The opening words of Macbeth’s famous soliloquy come to life this weekend as three performances of a combined opera, ballet and classical music production based ...

The ensemble in the 2025 Glimmerglass Festival production of "Tosca." Sergio Martinez as a Sacristan and ensemble in the 2025 Glimmerglass Festival production of “Tosca.” Michelle Bradley as Tosca and ...

Performances in N.Y.C. Advertisement Supported by Thinking outside the canon, and finding the gritty and the beautiful, within it. By Joshua Barone and Corinna da Fonseca-Wollheim JOSHUA BARONE Few ...

When Opera in the Heights opens its 2025-2026 season on Friday, it does so with an ambitious slate of programming and a new leader at the helm. Earlier this summer, Kathryn Frady was named the ...

Grabmusik, which Classical Opera's Artistic Director Ian Page neatly proposed in his programme note as a Holy Week "Cantata on Christ's Grave", offers an impressive counter to Bach's compact narrative ...